Tensegrity or tensional integrity is a property of structures with an integrity based on a balance between tension and compression components.


The Skylon tower at the Festival of Britain, 1951

The simplest tensegrity structure. Each of three compression members is symmetric with the other two, and symmetric from end to end. Each end is connected to three cables which provide compression and which precisely define the position of that end in the same way as the three cables in the Skylon tower define the bottom end of that pillar.

A similar structure but with four compression members.

Tensegrity structures are structures based on the combination of a few simple but subtle and deep design patterns:

  1. loading members only in pure compression or pure tension, meaning the structure will only fail if the cables yield or the rods buckle

  2. preload or tensional prestress, which allows cables to be rigid in tension

  3. mechanical stability, which allows the members to remain in tension/compression as stress on the structure increases

Because of these patterns, no structural member experiences a bending moment. This produces exceptionally rigid structures for their mass and for the cross section of the components.

A conceptual building block of tensegrity is seen in the 1951 Skylon tower. The long tower is held in place at one end by only three cables. At the bottom end, exactly three cables are needed to fully determine the position of the bottom end of the spire so long as the spire is loaded in compression. Two cables would be unstable, like a person on a slackrope; one cable is just the limit case of two cables when the two cables are anchored in the same place.

A simple three-rod tensegrity structure (shown) builds on this: locally, each end of each rod looks like the bottom of the Skylon tower. As long as the angle between any two cables is smaller than 180° as seen looking along the rod, the position of the rod is well defined. What may not be immediately obvious is that because this is true for all six rod ends, the structure as a whole is stable. Variations such as Needle Tower involve more than three cables meeting at the end of a rod, but these can be thought of as three cables defining the position of that rod end with the additional cables simply attached to that well-defined point in space.

Eleanor Hartley points out visual transparency as an important aesthetic quality of these structures.[1]



The idea was adopted into architecture in the 1980s when David Geiger designed the first significant structure - Seoul Olympic Gymnastics Arena for the 1988 Summer Olympics. The Georgia Dome, which was used for the 1996 Summer Olympics is a large tensegrity structure of similar design to the aforementioned Gymnastics Hall.

Theoretically, there is no limitation to the size of a tensegrity. Cities could be covered with geodesic domes. Planets and stars (Dyson sphere) could be contained within them.

"Tensegrity is a contraction of tensional integrity structuring. All geodesic domes are tensegrity structures, whether the tension-islanded compression differentiations are visible to the observer or not. Tensegrity geodesic spheres do what they do because they have the properties of hydraulically or pneumatically inflated structures."

As Harvard physician and scientist Donald Ingber explains:

"The tension-bearing members in these structures – whether Fuller's domes or Snelson's sculptures – map out the shortest paths between adjacent members (and are therefore, by definition, arranged geodesically) Tensional forces naturally transmit themselves over the shortest distance between two points, so the members of a tensegrity structure are precisely positioned to best withstand stress. For this reason, tensegrity structures offer a maximum amount of strength."

On 4th October 2009, the Kurilpa Bridge opened across the Brisbane River in Queensland, Australia. The new greenbridge is a multiple-mast, cable-stay structure based on the principles of tensegrity. It is also the largest tensegrity structure in existence.



The concept has applications in biology. Biological structures such as muscles and bones, or rigid and elastic cell membranes, are made strong by the unison of tensioned and compressed parts. The muscular-skeletal system is a synergy of muscle and bone. The muscles and connective tissues provide continuous pull[2] and the bones discontinuous push.

Tensegrity in molecular biology has been developed by Donald Ingber.[3]



The concept of tensegrity structures as a metaphor for political self supporting structures in particular those related to corruption or 'hold over' effects , has been used by Senator Stuart Syvret (States of Jersey) to explain the persistence and ultimately weakness of such structures. Senator Syvret is quoted as saying 'I can sense a very large pair of bolt-croppers beginning to approach the cables of the Jersey corruption tensegrity structure'.



Kenneth Snelson's 1948 X-Module Design as embodied in a two-module column[4]

In 1948, artist Kenneth Snelson produced his innovative 'X-Piece' after artistic explorations at Black Mountain College (where Buckminster Fuller was lecturing) and elsewhere. Some years later, the term 'tensegrity' was coined by Fuller, who is best known for his geodesic domes. Throughout his career, Fuller had experimented incorporating tensile components in his work, such as in the framing of his dymaxion houses.[5] Snelson's 1948 innovation spurred Fuller to immediately commission a mast from Snelson. In 1949, Fuller developed an icosahedron based on the technology, and he and his students quickly developed further structures and applied the technology to building domes. After a hiatus, Snelson also went on to produce a plethora of sculptures based on tensegrity concepts. Snelson's main body of work began in 1959 when a pivotal exhibition at the Museum of Modern Art took place. At the MOMA exhibition, Fuller had shown the mast and some of his other work.[6] At this exhibition, Snelson, after a discussion with Fuller and the exhibition organizers regarding credit for the mast, also displayed some work in a vitrine.[7] Snelson's best known piece is his 18-meter-high Needle Tower of 1968.

Russian artist Viatcheslav Koleichuk claimed that the idea of tensegrity was invented first by Karl Ioganson, Russian artist of Latvian descent, who contributed some works to the main exhibition of Russian constructivism in 1921.[8] Koleichuk's claim was backed up by Maria Gough for one of the works at the 1921 constructivist exhibition.[9] Kenneth Snelson however denied this claim insisting that Ioganson's work was much further than one step from his own concept of tensegrity,[10] but he has acknowledged the constructivists as an influence for his work.[11] French engineer David Georges Emmerich has also noted how Ioganson's work seemed to foresee tensegrity concepts.[12]